Rather than providing a linear narrative, Dylan freewheels through the nine verses in an apparently random order. Like Desolation Row and Just Like Tom Thumb’s Blues the song creates a world with its own internal rationale, peopled by symbolic ‘cartoon characters’ who make brief entrances and exits. As in It’s Alright Ma (I’m Only Bleeding) (also addressed to an invisible ‘mother figure’) it presents a picture of modern life as stifling, oppressive and highly illogical. But the desperate tension of that song is now replaced by a gleeful comic detachment. Dream, fantasy and hallucination appear to dictate the picture Dylan builds up of a world in which conventional reason is upended or reversed.
Tag: folk rock
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VIDEO PODCAST: BOB DYLAN’S RESTLESS FAREWELL: IT’S CLOSING TIME…
In 1964's RESTLESS FAREWELL, Bob Dylan begins to signal the elements that will bring about his oncoming change of style
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VIDEO PODCAST: Bob Dylan’s ‘Pop Songs’ of the1980s (Part One)from ‘Minstrel Boy’
Chris examines Bob Dylan's weirdest period in the 1980s when he attempted to become a writer of 'pop songs', with mixed results!
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VIDEO PODCAST: BOB DYLAN’S TOMBSTONE BLUES: THE SUN’S NOT YELLOW….
Chris examines Bob Dylan's magical and surreal satire TOMBSTONE BLUES from 1965's HIGHWAY 61 REVISITED
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