Rather than providing a linear narrative, Dylan freewheels through the nine verses in an apparently random order. Like Desolation Row and Just Like Tom Thumb’s Blues the song creates a world with its own internal rationale, peopled by symbolic ‘cartoon characters’ who make brief entrances and exits. As in It’s Alright Ma (I’m Only Bleeding) (also addressed to an invisible ‘mother figure’) it presents a picture of modern life as stifling, oppressive and highly illogical. But the desperate tension of that song is now replaced by a gleeful comic detachment. Dream, fantasy and hallucination appear to dictate the picture Dylan builds up of a world in which conventional reason is upended or reversed.
Tag: Dylan Goes Electric
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VIDEO PODCAST: BOB DYLAN’S RESTLESS FAREWELL: IT’S CLOSING TIME…
In 1964's RESTLESS FAREWELL, Bob Dylan begins to signal the elements that will bring about his oncoming change of style
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VIDEO PODCAST: Bob Dylan’s She’s Your Lover Now: With Your Picture Books of the Pyramids…
Chris goes deep deep into SHE'S YOUR LOVER NOW and I WANT TO BE YOUR LOVER, two unreleased songs from the early BLONDE ON BLONDE sessions
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VIDEO PODCAST: BOB DYLAN’s QUEEN JANE APPROXIMATELY: ALL THIS REPETITION
Chris examines Bob Dylan's enigmatic 1965 song QUEEN JANE APPROXIMATELY
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