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RICHARD THOMPSON  Sweet Warrior
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RICHARD THOMPSON Sweet Warrior

  Richard Thompson can transport you to places in his songs like no-one else. Drawing his inspiration from folk songs, oral tales, tattered history books, half remembered stories, bizarre websites and advertising catalogues, Thompson is a master of time and space. Many of his best songs place you in a specific historical context, then move...

BRUCE SPRINGSTEEN Magic: A Review
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BRUCE SPRINGSTEEN Magic: A Review

BRUCE SPRINGSTEEN: MAGIC: A REVIEW BRUCE SPRINGSTEEN: MAGIC    Bruce Springsteen’s Magic is a journey into the darkness of the ‘American night’; a portrait of a country mired in confusion, its value-systems broken down, its soul in torment. As a writer, Springsteen is often misunderstood. This is partly because he often casts his narratives in...

BOB DYLAN: Ain’t Talkin’
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BOB DYLAN: Ain’t Talkin’

BOB DYLAN’S AIN’T TALKIN’ There’s no-one here, the gardener has gone… The hooded pilgrim advances along a thin, dusty dirt track. There is no moon. All along the skyline the fires rage. His hidden face contorts in shaded darkness. He burns inside. In front of him he seems to see the whole world, billions of...

THE BEATLES: Who Could Ask For More Extract Four : Strawberry Fields Forever and Penny Lane (Part Two)
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THE BEATLES: Who Could Ask For More Extract Four : Strawberry Fields Forever and Penny Lane (Part Two)

 STRAWBERRY FIELDS FOREVER AND PENNY LANE Strawberry Fields Forever begins with what sounds like a distorted, distant flute (actually a mellotron) playing an evocative, yearning intro which sets up the melancholic tone of the song. There is a single bass note, and then we hear John’s voice, doctored to sound rather high, emotionally detached, ethereal....

BOB DYLAN: Workingman’s Blues # 2
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BOB DYLAN: Workingman’s Blues # 2

.Sleep is like a temporary death… . “You will perceive that in the breast The germs of many virtues rest, Which, ere they feel a lover’s breath, Lie in a temporary death” Henry Timrod, Two Portraits   Workingman’s Blues No. 2 is already the most celebrated, though perhaps the most misunderstood, track on Modern Times....