The frozen smile upon my face fits me like a glove… And she bore him a son, and he called his name Gershom: for he said, I have been a stranger in a strange land Exodus 2:22 There in the tomb stand the dead upright, But winds come up from the shore: They shake when...
Author: chrisgregory (Chris Gregory)
BOB DYLAN: Someday Baby and Ain’t Talkin’: Tell Tale Signs versions
Sometimes like women or unwedded maids Shadowing more beauty in their airy brows Than have the white breasts of The Queen Of Love… Christopher Marlowe, Dr. Faustus Little by little, bit by bit Every day I’m becoming more of a hypocrite… The main story which Tell Tale Signs tells is that of Bob Dylan’s reinvention...
THE PRISONER: Episode by Episode
This extended blog is intended as a companion to my book Be Seeing You: Decoding The Prisoner, which was originally published in 1997. It is also written in anticipation of the new TV remake of the series, and in tribute to The Prisoner’s primary creator Patrick McGoohan, who died recently. While the book...
BOB DYLAN: Dignity
…Soul of a nation is under the knife… Dignity, like Series Of Dreams and God Knows, was originally written and recorded for Oh Mercy. It was eventually released in remixed form as a single some five years later and also appeared on the MTV Unplugged album in 1996. Tell Tale Signs features two radically different...
BOB DYLAN: Most Of The Time
The ‘Drawn Blank Series’, the exhibition of Bob Dylan’s paintings currently showing at Edinburgh’s City Art Centre, provides a valuable insight into Dylan’s creative and imaginative processes. The paintings are based on a series of drawings Dylan completed in the late 80s and early 90s. In what the exhibition catalogue describes as ‘an intense burst...
BOB DYLAN: Mississippi (Part 2)
In the first verse Dylan begins with a simple statement of his intention to pursue his faith in his muse, combined with clear intimations of mortality which seem to motivate him. From the beginning the use of the pronoun ‘we’ involves the listener intimately in this process. …Every step of the...
BOB DYLAN: Mississippi (Part One)
Despite his difficult relationship with the recording process and his focus on live performance, Bob Dylan has always conceived his albums as expressive units – groups of songs arranged in a particular order for specific effects. This is obvious in the case of albums as diverse as Blood On The Tracks, Nashville Skyline or...
THE PRISONER: Patrick McGoohan 1928-2009
The recent death of the creator of The Prisoner Patrick McGoohan was given surprisingly little publicity. One of those items towards the end of the news where the newsreader adopts an appropriately nostalgic, slightly reverential tone. Some fairly muted obituaries in the newspapers, with the standard shots of McGoohan in his iconic striped blazer as...
THE BEATLES Who Could Ask For More: Rock ‘n’ Reel Review
The following review of WHO COULD ASK FOR MORE: RECLAIMING THE BEATLES appeared in Rock ‘n’ Reel magazine this month…. REPRODUCED WITH THE PERMISSION OF SEAN McGHEE (EDITOR) WHO COULD ASK FOR MORE: RECLAIMING THE BEATLES BEATLES SITES BEATLES LINKS BEATLES.COM BEATLES STORY MARK LEWINSOHN BEATLE LINKS BEATLES BIBLE BEATLES NEWS I AM THE...
BOB DYLAN: ‘Cross The Green Mountain
…All must yield To the Avenging God… In the mud and the blood of the makeshift trench, the soldier boy from Belvedere, South Carolina, is about to breathe his last. The Yankee bullet which had pierced his groin had come from some anonymous source, from the other side of the swirling...